Ed Harris is the voice of Mission Control. She’s constantly fighting and thinking, and the few moments in which we she reveals her inner self offer a snapshot of how the very best can emerge from any of us. But it’s Bullock who provides the movie’s heart. The use of three-dimensional space, movement, speed, and impact are unlike anything else ever filmed, and Steven Price’s droning, threatening score adds much depth to these scenes. Stranded in space and with only their suits’ thrusters, they must make their way around to whatever other satellites might be nearby in the hopes of finding a shuttle to get back home. Astronauts Ryan Stone (Sandra Bullock) and Matt Kowalski (George Clooney) are repairing the Hubble telescope when meteors destroy their shuttle. These two movies appeared just when we needed them the most, to remind us that “anything mentionable is manageable.” Everything Everywhere All at OnceĪstronaut Ryan Stone (Sandra Bullock) finds herself stranded in space after a meteor shower destroys her shuttle in Gravity.Ī masterpiece from director Alfonso Cuarón, Gravity (2013) was a groundbreaking technical marvel to be sure, and a grippingly suspenseful white-knuckler, but it was also a powerful ode to the essence of what it means to be human. Rogers, and finds his life significantly changed. Marielle Heller’s A Beautiful Day in the Neighborhood (2019) is equally powerful, focusing on a depressed journalist (Matthew Rhys) who is assigned to interview Mr. So, it made sense that a biopic starring Hollywood’s nicest guy, Tom Hanks, would follow. ![]() Rogers was the real thing, a man who saw the good in everyone. It was so bracing and such a drastic contrast to the world, it left most viewers in tears. When Morgan Neville’s documentary Won’t You Be My Neighbor? (2018) appeared, charting the life and times of beloved children’s TV show host Fred Rogers, its depiction of kindness and caring came as a revelation. Overseas the film had the more elegant title Le fabuleux destin d’Amélie Poulain.įred Rogers (Tom Hanks) uses his successful television show to teach kindness and caring to children in A Beautiful Day in the Neighborhood. ![]() Unlike his dystopian earlier films, Jean-Pierre Jeunet ( Delicatessen, The City of Lost Children, and Alien: Resurrection) directs Amélie (2001) with a zingy, brightly colored, cartoonish cleanness, artificial and precise but delightfully alive. These occur in a “Mousetrap”-like arrangement, with one deed circling around and mysteriously connecting to another.Įverything eventually leads Amélieto her own potential soulmate, Nino (Mathieu Kassovitz). She decides to anonymously return it to the now-grown boy, and when she sees his joyous, teary-eyed reaction, she vows to do more good deeds. ![]() Audrey Tautou is the saucer-eyed waif of the title, a sweet, darling combination of Charlie Chaplin, Giulietta Masina, and Audrey Hepburn, who finds a boy’s treasure box hidden in her little Montmarte apartment. One of the all-time-best feel-good movies, this hit from France is mainly about the joy of doing good in the world. Amélie (Audrey Tautou) tries to perform anonymous good deeds in Amélie.
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